comunicarearte: NIPPOSUGGESTIONI, east and west relations in art: Salomè

giovedì 20 dicembre 2012

SalOmè MicrOpOp, preview of new concept series of Tomoko

ACT, performing acts & nipposuggestioni
PRESENTANO:
SalOmè MicrOpOp
exhibition di Tomoko Nagao
a cura di: Christian Gangitano

OPENING GIOVEDI 20 DICEMBRE 2012, H 18.30
viale sabotino 4, cortile interno, citofono Animanera (MM Porta Romana)


Salomè head on the table, by Tomoko (small size, serie Mignon)

In mostra le ultime opere di Tomoko con una serie di pitture a olio su tela, FORMATI MIGNON (tascabili, micro, micro pop accessibili a tutti) e GRANDI formati che ricordano il suo Maestro Nara Yoshitomo (maggior esponente della corrente pittorica superflat di Nagoya, Japan, dove si è formata Tomoko), rivisitazione micropop japanese e kawaii di una delle icone più stimolanti dell storia dell'arte occidentale, interpretata nei secoli da Carmelo Bene a Oscar Wilde, da Tiziano a Cranach a Bernardino Luini e altri grandi maestri fondamentali.

Nella visione Micropop e Superflat ad opera di Tomoko, l'iconografia della TESTA sul PIATTO diventa LOGO, Brand, immagine coordinata e guida ideografica per la sottile critica costruttiva sulla società dei consumi di massa fatta dalle artiste giapponesi nate tra la metà e la fine degli anni '70, la generazione MICRoPop alla quale Tomoko appartiene, come principale esponente in italia.

Salomè by Lucas Cranach

Un'attenzione per l'arte attraverso un percorso di "severed head" che avevo già percorso in questo blog con un post di luglio 2011.

nipposuggestioni/masterpieces-through-history-of-severed heads


MEDUSA, un'opera in mostra (small size, serie mignon)

Salomè blue clothes (Big size version, superflat)

La Mostra POP up a Milano.

In uno spazio teatrale, in viale sabotino 4 a milano si trova la sala prove di ACT performing Acts, si può visitare da venerdi 21 a venerdi 28 dicembre 2012, solo su appuntamento, attraverso mail o messaggio su facebook al mio account Christian Gangitano.
comunicarearte@gmail.com

www.tomokonagao.info

ENGLISH:

An exhibition of recent works, focus on Salomè, by Tomoko with a series of oil paintings on canvas, MIGNON SHAPES (pocket, micro, micro pop accessible to all) and LARGE sizes that resemble his Master Nara Yoshitomo (higher exponent of the Nagoya's pictorial superflat, where it formed Tomoko), revisiting micropop kawaii japanese and one of the most inspiring icons of Western's art history, interpreted over the centuries by Carmelo Bene, Oscar Wilde, by Titian, Cranach, Bernardino Luini and many others top masters.

In the Micropop VISION and Superflat style by Tomoko, the iconography of the HEAD on the PLATE becomes LOGO, Brand, branding and ideographic guide to the constructive criticism on society of mass consumption made by Japanese artists born between the mid-to late 70s, the generation MICRoPop that Tomoko belongs, as the main representative in Italy.

Chris Gangitano

martedì 20 dicembre 2011

SALOME'

Qui voglio presentare Salomè micropop, in una contestualizzazione NEW WORLDS:

si tratta in chiave contemporanea l'iconografia della principessa giudaica citata nel vangelo secondo Matteo, protagonista degli episodi famosi di Flaubert e in una importante opera di Oscar Wilde (quindi protagonista del mondo e della cultura OCCIDENTALE).


Tomoko: Salomè

Nella reinterpretazione di Tomoko, Salomè diviene contemporanea icona del consumo di Massa: Hello kitty che porta sul vassoio la testa di se stessa "un'analisi critica Kawaii", tipicamente micropop, dove una delle icone del capitale mondiale porta la sua stessa testa decapitata, come fu quella di San Giovanni battista.
Cg

ENGL:
Here i would like to introduce a Micropop Salomè, a contextualization NEW WORLDS:
it comes in a contemporary iconography of the Jewish princess, mentioned in the Gospel of Matthew, as well the protagonist of the famous cases of Flaubert and an important work of Oscar Wilde (then starring in the world and Western culture).
The reinterpretation of Tomoko, Salome becomes contemporary icon of mass consumption: Hello kitty that brings the head of itself (herself?) "a critical analysis Kawaii", typically micropop, where one of the icons of the capital of the world brings its own decapitated head, as was that of St. John the Baptist.

Salomè, by TAKATO YAMAMOTO:

Salome is mentioned in the New Testament as the daughter of Herodias, a Jewish princess. Christian traditions depict her as an icon of dangerous female seductiveness. Salome’s story has long been a favourite of artists such as Titian, Gustave Moreau, Aubrey Bearsley, Oscar Wilde, Gustave Flaubert

SALOME' nella STORIA DELL' ARTE

Artemisia Gentileschi: Salomè con la testa del Battista

Caravaggio: Salomè. olio su tela (91 x 106 cm) dipinto tra il 1607 e il 1610

Guido Reni

Leon Herbo (1.889)

lucas Cranach- Il Vecchio (1530) - salome


Bernardino luini

Oscar Kokoschka, salome (1906)

Oscar Wilde (interpreta Salomè)

TIZIANO

EDOPOP & FLOATINGpop reports

EDOPOP & FLOATINGpop reports JapanPOP, FLOATING POP A curatorial project by Christian Gancitano, in collaboration with Deodato Arte Here is the concept history starting from FLOATING WORLD from which we extrapolate the development of our research of the relationship between East and West relations in pop arts: FLOATING POP (japanese pop art), take a look to Asia as an emerging power and already dominant on the worldwide's imaginary of fashion, comics, design, as an art influencer, one of more active cultural player, economy development, not only japan therefore, that despite everything, it was the first Asian power, democracy westernized. With this "Japan POP art show" an innovative artist combination, we will keep the guidelines of “edo pop”, an art project that i am still forwarding since 2004, it was already started my researching about japanese pop arts since Edo period till the latest artistic trend, taking a look to expanded relationship in art between Eastern and Western pop cultures, massive consumption, advertising and communication. Ukiyo (浮世 "Floating World") Described the urban lifestyle, Especially the pleasure-seeking aspects, of Edo-period in Japan (1600-1867 Tokugawa period). The "Floating World" culture developed in Yoshiwara, the licensed red-light district of Edo town (modern Tokyo), which was the site of many brothels, chashitsu tea houses, and kabuki theaters frequented by Japan's growing middle class. The ukiyo cultures arose also in other cities Such as Osaka and Kyoto and coming out, beginning of the last century, in Paris . Here began the first real pop art, is the famous Japanese's woodblock prints well known as ukiyo-e, or "pictures of the Floating World," In These districts, already more than 4 century ago, had began their origins the japanese's pop cultures, first in the world affordable art, often depicted scenes of the Floating World itself, such as geisha, kabuki actors, sumo wrestlers, samurai, chonin and prostitutes that was same of contemporary pop stars and massive brand icons . In fact, FLOATING POP is still a worldwide important TREND TODAY: the newest artist, son of this culture, represent mass consumption, leisure and entertainment globalized using a universal language "POP", this was already among the oriental and western culture, sign of begin of today's global marketplace.

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giovedì 20 dicembre 2012

SalOmè MicrOpOp, preview of new concept series of Tomoko

martedì 20 dicembre 2011

SALOME'